Press and Editorial Features
We live in a visual world. I feel so lucky that what i create is so widely used for so many magazines and visual projects form music to film to artistic expressions. Here I try to update regularly where my designs appear.
Elizaveta Porodina x Carcy Magazine x Jivomir Domoustchiev
Wow... dreams come true. The simply incredible photographer Elizaveta Porodina photographs Multi Ring vinyl harness and Cuffs by Jivomir Domoustchiev for Carcy Magazine styled by Victoria Sekrier
The harness finished in clear vegan vinyl and Silver tone rings is from my Collaboration Collection with Crazy Horse Paris and available to special order only
Dixie D'Amelio ❤️ wearing Jivomir Domoustchiev Multi Buckle Full Robo Leg Belts Harness for her 'One Whole Day" music video and single artwork
Riots Not Rainbows Editorial feature for Hunger Magazine
Jivomir Domoustchiev Riots Not Rainbows Editorial feature for Hunger Magazine celebrating LGBTQIA+ family
styled by Graham Cruz featuring the Future Rave ❤️ Set in vegan vinyl red available to custom order matched with the multi buckle harness belt. Reimagineeverything @jivomir.domoustchiev
L'Official AU x Jivomir Domoustchiev
GRAZIA Bulgaria Jivomir Domoustchiev Interview
PLAYBOY Magazine ❤️ x Jivomir Domoustchiev x Carlota Guerrero x Gender & Sexuality issue
Ashnikko at the Birds of Pray Film Premier wearing Jivomir Domoustchiev
Ashnikko ❤️wearing Jivomir Domoustchiev Transparent Blue Accessories
Ubikwist Magazine x Jivomir Domoustchiev
MOJEH Magazine x Jivomir Domoustchiev
Stunning feature in Mojeh Magazine for there July 20 issue.
Styling by the wonderful Sayuri Bloom with photography by Rinaldo Sata featuring Jivomir Domoustchiev transparent red vegan vinyl sculpture bralet and neon pink net oversized coat
Coeval Magazine x Jivomir Domoustchiev interview
Absolutely. Sustainability is probably the greatest challenge facing all designers and creators right now. I have always strived to create pieces which people would desire and love, and want to re-wear, reuse and even exhibit. When you have an emotional attachment, you look after your possessions and they last. Trying to design longevity into a piece is probably not a very good business practice, but it’s important to me. Limiting waste in the production process is also hugely important to me. To date, I have kept all offcuts to reuse differently later on – perhaps as sculpture or furniture. Lately, I have also designed pieces that fit perfectly within the collection and use up the majority of offcuts – launching soon. I am now working with the material manufacturer who can recycle back to the raw material, which is comforting and necessary for all our futures. Some may have noticed that I reuse older damaged pieces to reimagine new shapes, which started with my headpieces in collection V.
Sometimes samples would come back damaged from editorial shoots because of the shipping process or people not caring enough about the labour, time, cost and materials that go into the creation of every piece. Of course, this hurts me very much, but I realised as they were no longer perfect if I re-shape them into completely new pieces they could live on. One of my favourites started as a dress and became a headpiece. This way of thinking followed through now with the ‘Onna-Bugeisha” collection. Recently, I decided to source garments in bulk from mainstream retail to prevent high-street overstock from being burnt and wastefully disposed of. These will become custom one-off pieces, reimagined in my silhouettes and available as part of the new collection. I hope this will allow me peace of mind and hopefully inspire others to do the same.